he didn't like the idea of his work being labelled as performance art, he stated that he's a sculptor who makes live art.
he is trying to not define what sculpture could be. which related to the fluxes movement e are looking at.making a piece of artwork different and out of our comfort zone.
after creating the chair piece with Nathan i feel now looking at clean's work it starts to make sense of what we actually did. i felt a little stupid preforming but now ready what bruce Mclean said i feel the i don't have to define performance at i can call it something different.
performance art to me seems kind of childish and feel that my work isn't learning that way. i want my work to have a more professional approach to it. more structured and have some sort of meaning to give my work purpose. rather than just screaming or painting, wearing something strange.

i feel my ideas starting the piece was very narrow of my ideas being the different portions both and man and a woman can drop it society without looking to girly (man) or to sexual (woman)
or my other idea was to not define the way we have to sit on a chair why can't we stand on it. why do we move around it and not work over it. the same as a table why to see sit up to it, eat on it, write on it, why can't we use the table as a chair, why are all things defined to one thing. who made them things be what they are? and why can't we change them? i mean we probable can as society drills everything into our heads that we cannot change. its our nature to sit in a chair and walk around a table, because thats what everybody does.
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